The man who has no inner life is a slave to his surroundings.

Henri Frederic Amiel

More information about this quote

Topic

Inner life Thinking for oneself

Author

Henri Frederic Amiel

Source

Journals of Henri Frederic Amiel

Medium

Personal journal

Language

French

Time

1883 1880s 19th century

Occupation

Philosopher Writer

From

Switzerland Europe

Authentication Score 2

Citation

Amiel, Henri-Frédéric. Journal entry. 7 Jan. 1866.

Illustrated Quote

A quote by Henri Frederic Amiel about inner life: “The man who has no inner life is a slave to his surroundings.”
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A quote by Henri Frederic Amiel about inner life: “The man who has no inner life is a slave to his surroundings.”
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A quote by Henri Frederic Amiel about inner life: “The man who has no inner life is a slave to his surroundings.”
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Related Quotes

Below are one or more quotes that share at least one tag with the quote at the top of the page

Another quote from the 1880s

Blessed are the forgetful: for they get the better even of their blunders.

Friedrich Nietzsche

Beyond Good and Evil

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More information about this quote
Topic
Forgetfulness

Author

Friedrich Nietzsche
Source
Beyond Good and Evil
Genre
Philosophical literature
Language
German
Time
1886 1880s 19th century
Authentication Score 2
Original Citation

Nietzsche, Friedrich. Jenseits von Gut und Böse: Vorspiel einer Philosophie der Zukunft [Beyond Good and Evil: Prelude to a Philosophy of the Future]. Leipzig: C. G. Naumann, 1886, ch. 7, no. 217.

Current Citation

Nietzsche, Friedrich. Beyond Good and Evil, translated by R. J. Hollingdale. Penguin Classics, 2003, ch. 7, no. 217.

Another quote originally in French

Seeing is forgetting the name of the things one sees.

Paul Valéry

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More information about this quote
Topic
Names Perception

Author

Paul Valéry
Medium
Essay
Statement Type
Paradox Zen koan
Language
French
Time
1936 1930s 20th century
Authentication Score 0
Citation

Valéry, Paul. Quoted in Robert Irwin: A Way to Look at Things by Not Forgetting Their Names, written by Adrian Kohn. c. 1982.