Crime (film)

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In Sicily, women are more dangerous than shotguns.

The Godfather

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The Godfather. Directed by Francis Ford Coppola, Paramount Pictures/Alfran Productions, 1972.

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You look down, they know you're lying and up, they know you don't know the truth. Don't use seven words when four will do. Don't shift your weight, look always at your mark but don't stare, be specific but not memorable, be funny but don't make him laugh. He's got to like you then forget you the moment you've left his side.

Ocean's Eleven

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Ocean's Eleven. Directed by Steven Soderbergh, Village Roadshow Pictures/NPV Entertainment/Jerry Weintraub Productions/Section Eight Productions, 2001.

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Fear causes hesitation, and hesitation will cause your worst fears to come true. So, it's simple, you project strength to avoid conflict.

Point Break

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Point Break. Directed by Kathryn Bigelow, Johnny Utah Productions/Largo Entertainment, 1991.

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If you want the ultimate, you've got to be willing to pay the ultimate price. It's not tragic to die doing what you love.

Point Break

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Point Break. Directed by Kathryn Bigelow, Johnny Utah Productions/Largo Entertainment, 1991.

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I'm not guilty. You're the one that's guilty. The lawmakers, the politicians, the Columbian drug lords, all you who lobby against making drugs legal. Just like you did with alcohol during the prohibition. You're the one who's guilty. I mean, c'mon, let's kick the ballistics here: Ain't no Uzi's made in Harlem. I mean, not one of us in here owns a poppy field. This thing is bigger than Nino Brown. This is big business. This is the American way.

Nino Brown

New Jack City

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New Jack City. Directed by Mario Van Peebles, The Jackson/McHenry Company/Jacmac Films, 1991.

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Because the house always wins. Play long enough, you never change the stakes, the house takes you. Unless, when that perfect hand comes along, you bet big, and then you take the house.

Ocean's Eleven

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Ocean's Eleven. Directed by Steven Soderbergh, Village Roadshow Pictures/NPV Entertainment/Jerry Weintraub Productions/Section Eight Productions, 2001.

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In Vegas, everybody's gotta watch everybody else. Since the players are looking to beat the casino, the dealers are watching the players. The box men are watching the dealers. The floor men are watching the box men. The pit bosses are watching the floor men. The shift bosses are watching the pit bosses. The casino manager is watching the shift bosses. I'm watching the casino manager and the eye-in-the-sky is watching us all.

Casino

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Casino. Directed by Martin Scorsese, Syalis D. A./Legende Entreprises De Fina/Cappa, 1995.

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Every day above ground is a good day.

Scarface

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Scarface. Directed by Brian De Palma, Universal Pictures, 1983.

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There is a war on drugs, then many of our family members are the enemy. And I don't know how you wage war on your own family.

Traffic

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Traffic. Directed by Steven Soderbergh, Compulsion Inc.,/Bedford Falls Productions/USA Films/Initial Entertainment Group, 2000.

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Goodness is chosen. When a man cannot choose, he ceases to be a man.

A Clockwork Orange

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A Clockwork Orange. Directed by Stanley Kubrick. Polaris Productions/Hawk Films, 1971.

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I'll shove that bat up your ass and turn you into a popsicle.

The Warriors

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The Warrors. Directed by Walter Hill, Lawrence Gordon Productions, 1979.

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It's basic dog psychology, if you scare them and get them peeing down their leg, they submit. But if you project weakness, you draw aggression, that's how people get hurt.

Point Break

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Point Break. Directed by Kathryn Bigelow, Johnny Utah Productions/Largo Entertainment, 1991.

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Warriors, come out to play-i-ay.

The Warriors

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The Warrors. Directed by Walter Hill, Lawrence Gordon Productions, 1979.

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For us to live any other way was nuts. Uh, to us, those goody-good people who worked shitty jobs for bum paychecks and took the subway to work every day, worried about their bills, were dead. I mean, they were suckers. They had no balls. If we wanted something, we just took it. If anyone complained twice they got hit so bad, believe me, they never complained again. It was just all routine and you didn't even think about it.

Henry Hill

Goodfellas

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Goodfellas. Directed by Martin Scorsese, Warner Bros., 1990.

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Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.

Catch Me if You Can

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Catch Me If You Can. Directed by Steven Spielberg, Amblin Entertainment/DreamWorks Pictures/Parkes/MacDonald Productions/Kemp Company/Splendid Pictures, 2002.

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Hate is baggage. Life's too short to be pissed off all the time. It's just not worth it.

American History X

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American History X. Directed by Tony Kaye, New Line Cinemas/The Turman-Morrissey Company, 1998.

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You gotta do what your heart tells you to do. Let me tell you somethin' right now. You're only allowed three great women in your lifetime. They come along like the great fighters, once every ten years.

A Bronx Tale

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A Bronx Tale. Directed by Robert De Niro, Price Entertainment/TriBeCa Productions, 1993.

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Look at it this way, you know. A man takes a job, you know? And that job—I mean, like that—that becomes what he is. You know, like—you do a thing and that's what you are. Like I've been a cabbie for seventeen years. Ten years at night. I still don't own my own cab. You know why? Because I don't want to. That must be what I want. To be on the night shift drivin' somebody else's cab. You understand? I mean, you become—you get a job, you become the job. One guy lives in Brooklyn. One guy lives in Sutton Place. You got a lawyer. Another guy's a doctor. Another guy dies. Another guy gets well. You know, people are born. I envy you. Go on, get laid, get drunk. Do anything. You got no choice, anyway. I mean, we're all fucked. More or less, ya know.

Taxi Driver

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Taxi Driver. Directed by Martin Scorsese, Bill/Phillips Productions/Italo/Judeo Productions, 1976.

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I distrust a close-mouthed man. He generally picks the wrong time to talk and says the wrong things. Talking's something you can't do judiciously, unless you keep in practice.

The Maltese Falcon

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The Maltese Falcon. Directed by John Huston, Warner Bros., 1941.

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I like the stink of the streets. It makes me feel good. And I like the smell of it, it opens up my lungs. And it gives me a hard-on.

Once Upon a Time in America

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Once Upon a Time in America [C'era una volta in America]. Directed by Sergio Leone, The Ladd Company/PSO International/Embassy International Pictures/, Rafran Cinematografica, 1984.

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