Crime

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La familia es todo.

Breaking Bad

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"One Minute." Breaking Bad, written by Thomas Schnauz, directed by Michelle MacLaren, season 3, episode 7, High Bridge/Gran Via Productions/Sony Pictures Television, 2010.

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I don't like violence, Tom. I'm a businessman. Blood is a big expense.

The Godfather

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The Godfather. Directed by Francis Ford Coppola, Paramount Pictures/Alfran Productions, 1972.

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The past is always with us. Where we come from, what we go through, how we go through it; all this shit matters.

D'Angelo Barksdale

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The Wire

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"All Prologue." The Wire, written by David Simon and Ed Burns and Joy Kecken, directed by Steve Shill, season 2, episode 6, Blown Deadline Productions and Home Box Office, 2003.

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It's hard to look back and see the truth about people you love.

American History X

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American History X. Directed by Tony Kaye, New Line Cinemas/The Turman-Morrissey Company, 1998.

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You wanna smoke? You don't smoke do ya, what are you one of those fitness freaks?

The Departed

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The Departed. Directed by Martin Scorsese, Plan B Entertainment, Warner Bros. Pictures, Vertigo Entertainment, Media Asia Entertainment Group, Vertigo Films, GK Films, and Media Asia Films, 2006.

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He finally got to the top of the world...and it blew right up in his face.

White Heat

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White Heat. Directed by Raoul Walsh, Warner Bros., 1949.

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Ain't a hard time been invented that I cannot handle.

Heat

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Heat. Directed by Michael Mann, Regency Enterprises/Forward Pass, 1995.

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When you decide to be something, you can be it. That's what they don't tell you in the church. When I was your age they would say we can become cops or criminals. Today, what I'm saying is this: when you're facing a loaded gun, what's the difference?

The Departed

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The Departed. Directed by Martin Scorsese, Plan B Entertainment, Warner Bros. Pictures, Vertigo Entertainment, Media Asia Entertainment Group, Vertigo Films, GK Films, and Media Asia Films, 2006.

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Well, sir, there are other means of persuasion besides killing and threatening to kill.

The Maltese Falcon

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The Maltese Falcon. Directed by John Huston, Warner Bros., 1941.

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We were good fellas. Wiseguys. But Jimmy and I could never be made because we had Irish blood. It didn't even matter that my mother was Sicilian. To become a member of a crew you've got to be one hundred percent Italian so they can trace all your relatives back to the old country. See, it's the highest honor they can give you. It means you belong to a family and a crew. It means that nobody can fuck around with you. It also means you could fuck around with anybody just as long as they aren't also a member. It's like a license to steal. It's a license to do anything.

Henry Hill

Goodfellas

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Goodfellas. Directed by Martin Scorsese, Warner Bros., 1990.

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In the heat of action men are likely to forget where their best interests lie and let their emotions carry them away.

The Maltese Falcon

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The Maltese Falcon. Directed by John Huston, Warner Bros., 1941.

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It's funny how the colors of the real world only seem really real when you viddy them on the screen.

A Clockwork Orange

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A Clockwork Orange. Directed by Stanley Kubrick. Polaris Productions/Hawk Films, 1971.

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Well, this country is becoming a haven for criminals so what do you expect? You know, decent hard-working Americans like my dad are getting rubbed out by social parasites.

American History X

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American History X. Directed by Tony Kaye, New Line Cinemas/The Turman-Morrissey Company, 1998.

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Get in the car. What are you worried about? If I wanted to kill you, you'd be dead already. Get in.

The Godfather

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The Godfather. Directed by Francis Ford Coppola, Paramount Pictures/Alfran Productions, 1972.

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Don't be afraid, my son. No one is more powerful than God.

A Bronx Tale

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A Bronx Tale. Directed by Robert De Niro, Price Entertainment/TriBeCa Productions, 1993.

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Find somebody you want to spend the rest of your life with, and hold onto her forever.

The Italian Job

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The Italian Job. Directed by F. Gary Gray, De Line Pictures, 2003.

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There was a moment, when I used to blame everything and everyone for all the pain and suffering and vile things that happened to me, that I saw happen to my people. Blame everybody. Blamed white people, blamed society, blamed God. I didn't get no answers 'cause I was asking the wrong questions. You have to ask the right questions.

American History X

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American History X. Directed by Tony Kaye, New Line Cinemas/The Turman-Morrissey Company, 1998.

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Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows...you could even be discovered, become a movie star...or at least see one. Life is good in Los Angeles... It's paradise on Earth.

L.A. Confidential

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L.A. Confidential. Directed by Curtis Hanson, Regency Enterprises/The Wolper Organization, 1997.

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You know, when Khruschev was forced out, he sat down and he wrote two letters and gave them to his successor. He said, "When you get yourself into a situation you can't get out of, open the first letter, and you'll be safe. When you get yourself into another situation you can't get out of, open the second letter." Well, soon enough, this guy found himself in a tight place so you open the first letter which says blame everything on me. So he blamed the old man, it worked like a charm. When he got himself into a second situation he couldn't get out of, he opened the second letter. It said, "Sit down, and write two letters."

Traffic

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Traffic. Directed by Steven Soderbergh, Compulsion Inc.,/Bedford Falls Productions/USA Films/Initial Entertainment Group, 2000.

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