What is the worst of woes that wait on age?
What stamps the wrinkle deeper on the brow?
To view each loved one blotted from life's page,
And be alone on earth, as I am now.

Lord Byron

Childe Harold's Pilgrimage

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More information about this quote

Topic

Losing a loved one Aging Loneliness The human condition

Author

Lord Byron

Source

Childe Harold's Pilgrimage

Medium

Poem

Statement Type

Question

Language

English

Time

1818 1810s 19th century

Occupation

Poet Writer

From

United Kingdom Europe

Authentication Score 2

Original Citation

Lord Byron. Childe Harold's Pilgrimage. London: John Murray, 1812-1818, canto 2, st. 98.

Current Citation

Lord Byron. "Childe Harold's Pilgrimage." Lord Byron: The Major Works, edited by Jerome J. McGann. Oxford University Press, 2008, canto 2, st. 98.

Illustrated Quote

A quote by Lord Byron about losing a loved one: “What is the worst of woes that wait on age? What stamps the wrinkle…”
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A quote by Lord Byron about losing a loved one: “What is the worst of woes that wait on age? What stamps the wrinkle…”
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A quote by Lord Byron about losing a loved one: “What is the worst of woes that wait on age? What stamps the wrinkle…”
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Related Quotes

Below are one or more quotes that share at least one tag with the quote at the top of the page

Another quote by Lord Byron

I am ashes where once I was fire.

Lord Byron

More information about this quote
Topic
Aging Burnout Loss of passion Passion

Author

Lord Byron
Source
To the Countess of Blessington
Medium
Poem
Statement Type
Metaphor, analogy and simile
Language
English
Time
1824 1820s 19th century
Authentication Score 2
Original Citation

Lord Byron. "To the Countess of Blessington." Letters and Journals. London: J. Johnson, c. 1830.

Current Citation

Lord Byron. "To the Countess of Blessington." Byron: Poems. Everyman's Library, 1994.

Another quote from the 1810s

The man of talent is like the marksman who hits a mark the others cannot hit; the man of genius is like the marksman who hits a mark they cannot even see.

Arthur Schopenhauer

The World as Will and Idea

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More information about this quote
Topic
Talent Genius

Author

Arthur Schopenhauer
Source
The World as Will and Idea
Genre
Philosophical literature
Language
German
Time
1819 1810s 19th century
Authentication Score 2
Original Citation

Schopenhauer, Arthur. Die Welt als Wille und Vorstellung [The World as Will and Imagination]. Leipzig: F. A. Brockhaus, 1819.

Current Citation

Schopenhauer, Arthur. The World as Will and Representation, edited by Christopher Janaway, translated by Judith Norman and Alistair Welchman. Cambridge University Press, 2014.

Another quote about The human condition

The great mystery is not that we should have been thrown down here at random between the profusion of matter and that of the stars; it is that from our very prison we should draw, from our own selves, images powerful enough to deny our nothingness.

Andre Malraux

More information about this quote
Topic
The human condition
Speaker
Walter

Author

Andre Malraux
Source
The Walnut Trees of Altenburg
Medium
Novel
Language
French
Time
1943 1940s 20th century
Authentication Score 3
Citation

Malraux, Andre. Les Noyers de l'Altenburg [The Walnut Trees of Altenburg]. Gallimard, c. 1948.

Another quote of the following type Question

Was ever book containing such vile matter
So fairly bound? O, that deceit should dwell
In such a gorgeous palace!

William Shakespeare

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Read Romeo and Juliet at The Folger Shakespeare Library
More information about this quote
Topic
Beauty is skin deep Looks are deceiving Beauty Appearance vs. reality
Speaker
Juliet Capulet

Author

William Shakespeare
Genre
Tragedy (play)
Statement Type
Question Metaphor, analogy and simile
Language
English
Time
1597 1590s 16th century
Era
European Renaissance
Authentication Score 2
Original Citation

Shakespeare, William. Romeo and Juliet. London: John Danter, 1597, act 3, sc. 2.

Current Citation

Shakespeare, William. "Romeo and Juliet." The Norton Shakespeare, edited by Stephen Greenblatt, et al., 3rd ed., W. W. Norton & Company, 2015, act 3, sc. 2.