Film

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You need to learn how to trust.

The Notebook

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The Notebook. Directed by Nick Cassavetes, Gran Via, 2004.

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Liberty's too precious a thing to be buried in books, Miss Saunders. Men should hold it up in front of them every single day of their lives and say: I'm free to think and to speak. My ancestors couldn't, I can, and my children will. Boys ought to grow up remembering that.

Mr. Smith Goes to Washington

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Mr. Smith Goes to Washington. Directed by Frank Capra, Columbia Pictures, 1939.

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You mean, you’ll put down your rock and I’ll put down my sword, and we’ll try and kill each other like civilized people?

The Princess Bride

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The Princess Bride. Directed by Rob Reiner, Act III Communications/Buttercup Films/The Princess Bride Ltd., 1987.

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You are literally too stupid to insult.

The Hangover

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The Hangover. Directed by Todd Phillips, Ledgendary Entertainment/Greenhat Films/Bender/Spink, 2009.

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Listen, when women go wrong, men go right after them.

Lady Lou

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She Done Him Wrong. Directed by Lowell Sherman, Paramount Pictures, 1933.

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Happiness is in doing, not in the getting what you want.

Before Sunset

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Before Sunset. Directed by Richard Linklater, Castle Rock Entertainment/ Detour Filmproduction/Columbia Pictures, 2004.

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Anyone can cook, but only the fearless can be great.

Ratatouille

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Ratatouille. Directed by Brad Bird, Pixar Animation Studios/Walt Disney Pictures, 2007.

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The trick to falling asleep is trying to stay awake.

Saving Private Ryan

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Saving Private Ryan. Directed by Steven Spielberg, Amblin Entertainment, DreamWorks Pictures/Mutual Film Company, 1998.

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Tonight most people will be welcomed home by jumping dogs and squealing kids. Their spouses will ask about their day, and tonight they'll sleep. The stars will wheel forth from their daytime hiding places; and one of those lights, slightly brighter than the rest, will be my wingtip passing over.

Up in the Air

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Up in the Air. Directed by Jason Reitman, DreamWorks Pictures/The Montecito Picture Company/Cold Spring Pictures/Rickshaw Productions/Right of Way Films, 2009.

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Aw fuck it, Dude, let's go bowling.

The Big Lebowski

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The Big Lebowski. Directed by Joel Coen and Ethan Coen, Working Title Films, 1998.

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When you love someone, you've gotta trust them. There's no other way. You've got to give them the key to everything that's yours. Otherwise, what's the point?

Casino

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Casino. Directed by Martin Scorsese, Syalis D. A./Legende Entreprises De Fina/Cappa, 1995.

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I really do have love to give. I just don't know where to put it.

Magnolia

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Magnolia. Directed by Paul Thomas Anderson, Ghoulardi Film Company/JoAnne Sellar Productions, 1999.

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Women. Can't live with them, can't live without them.

The Shining

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The Shining. Directed by Stanley Kubrick, The Producer Circle Company/Peregrine Productions/Hawk Films, 1980.

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My calculations are correct, when this baby hits 88 miles per hour, you’re gonna see some serious shit.

Back to the Future

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Back to the Future. Directed by Robert Zemeckis, Amblin Entertainment, 1985.

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Maybe feelings are feelings because we can't control them.

Team America: World Police

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Team America: World Police. Directed by Trey Parker, Scott Rudin Productions/Braniff Productions, 2004.

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Let your head rest in my hand. Relax. I got you. I promise. I'm not going to let you go. Hey man, I got you. There you go.

Moonlight

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Moonlight. Directed by Barry Jenkins, A24/Plan B Entertainment/Pastel Productions, 2016.

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Do you ever wish you that sometimes you could freeze frame a single moment in your day, look at it and say, "this is not my life?"

Mrs. Doubtfire

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Mrs. Doubtfire. Directed by Chris Columbus, 20th Century Fox/Blue Wolf Productions, 1993.

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I've never met anyone like you. There's not a spark of sentiment or romance or human kindness in your whole body.

On the Waterfront

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On the Waterfront. Directed by Elia Kazan, Horizon Pictures, 1954.

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When life gives you lemons, just say "Fuck the lemons," and bail.

Forgetting Sarah Marshall

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Forgetting Sarah Marshall. Directed by Nick Stoller, Apatow Productions, 2008.

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I feel good, I feel great, I feel wonderful. I feel good, I feel great, I feel wonderful. I feel good, I feel great, I feel wonderful.

What About Bob?

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What About Bob? Directed by Frank Oz, Touchstone Pictures/Touchwood Pacific Partners, 1991.

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