Comedy drama

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Mister, if you don’t shut up, I’m gonna kick 100 percent of your ass!

Fast Times at Ridgemont High

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Fast Times at Ridgemont High. Directed by Amy Heckerling,Refugee Films, 1982.

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You know Marcel Proust? Yeah. French writer. Total loser. Never had a real job. Unrequited love affairs. Gay. Spent 20 years writing a book almost no one reads. But he's also probably the greatest writer since Shakespeare. Anyway, he uh...he gets down to the end of his life, and he looks back and decides that all those years he suffered, those were the best years of his life, 'cause they made him who he was. All those years he was happy? You know, total waste. Didn't learn a thing. So, if you sleep until you're 18, ah, think of the suffering you're gonna miss. I mean high school? High school, those are your prime suffering years. You don't get better suffering than that.

Little Miss Sunshine

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Little Miss Sunshine. Directed by Jonathan Dayton and Valerie Faris, Big Beach Films/Bona Fide Productions/Third Gear Productions, 2006.

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It's supposed to be hard. If it wasn't hard, everyone would do it. The hard is what makes it great.

A League of Their Own

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A League of Their Own. Directed by Penny Marshall, Parkway Productions, 1992.

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I had to be at that there crossroads last midnight, to sell my soul to the devil.

O Brother, Where Art Thou?

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O Brother, Where Art Thou? Directed by Joel Coen and Ethan Coen, Touchstone Pictures/Universal Pictures/StudioCanal/Working Title Films/Blind Bard Pictures, 2000.

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A relationship, I think, is like a shark, you know? It has to constantly move forward or it dies, and I think what we got on our hands is a dead shark.

Annie Hall

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Annie Hall. Directed by Woody Allen, A Jack Rollins and Charles H. Joffe Production, 1977.

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Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.

Catch Me if You Can

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Catch Me If You Can. Directed by Steven Spielberg, Amblin Entertainment/DreamWorks Pictures/Parkes/MacDonald Productions/Kemp Company/Splendid Pictures, 2002.

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We accept the reality of the world with which we're presented. It's as simple as that.

The Truman Show

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The Truman Show. Directed by Peter Weir, Scott Rudin Productions, 1998.

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Excuse me, excuse me, I don't mean to harass you, but I was very impressed with the capable and stylish manner in which you dealt with that situation. I was thinking to myself, now, this girl's special.

Trainspotting

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Trainspotting. Directed by Danny Boyle, Channel Four Films/Figment Films/Noel Gay Motion Picture Company, 1996.

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Well, as I said, this is a man's world, Jeff, and you gotta check your ideals outside the door like you do your others.

Mr. Smith Goes to Washington

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Mr. Smith Goes to Washington. Directed by Frank Capra, Columbia Pictures, 1939.

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Sometimes it still hurts. You know how it is, man. It's like, you wake up every day and it hurts a little bit less, and then you wake up one day and it doesn't hurt at all. And the funny thing is, is that, this is kinda weird, but it's like, it's like you almost miss that pain.

Swingers

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Swingers. Directed by Doug Liman, Independent Pictures/Alfred Shay Productions, 1996.

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You seek a great fortune, you three who are now in chains. You will find a fortune, though it will not be the fortune you seek. But first...first you must travel a long and difficult road, a road fraught with peril. Mm-hmm. You shall see thangs, wonderful to tell. You shall see a... a cow...on the roof of a cotton house, ha. And, oh, so many startlements. I cannot tell ya how long this road shall be, but fear not the obstacles in your path, for fate has vouchsafed your reward. Though the road may wind, yea, your hearts grow weary, still shall ye follow them, even unto your salvation.

O Brother, Where Art Thou?

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O Brother, Where Art Thou? Directed by Joel Coen and Ethan Coen, Touchstone Pictures/Universal Pictures/StudioCanal/Working Title Films/Blind Bard Pictures, 2000.

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Call me crazy, but it is my philosophy that in order to be successful, one must project an image of success, at all times.

American Beauty

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American Beauty. Directed by Sam Mendes, Jinks/Cohen Company, 1999.

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A real loser is somebody who's so afraid of not winning they don't even try.

Little Miss Sunshine

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Little Miss Sunshine. Directed by Jonathan Dayton and Valerie Faris, Big Beach Films/Bona Fide Productions/Third Gear Productions, 2006.

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Personality, I mean, that's what counts, right? Personality, that's what keeps a relationship going through the years. Like heroin. I mean, heroin's got great fucking personality!

Trainspotting

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Trainspotting. Directed by Danny Boyle, Channel Four Films/Figment Films/Noel Gay Motion Picture Company, 1996.

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I have learned how to live, how to be in the world and of the world, and not just to stand aside and watch. And I will never, never again run away from life. Or from love, either.

Sabrina

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Sabrina. Directed by Billy Wilder, Paramount Pictures, 1954.

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It's the most terrifying day of your life the day the first one is born.

Lost in Translation

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Lost in Translation. Directed by Sofia Coppola, American Zoetrope/Elemental Films, 2003.

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Anybody who ever built an empire, or changed the world, sat where you are right now. And it's because they sat there that they were able to do it. That's the truth.

Up in the Air

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Up in the Air. Directed by Jason Reitman, DreamWorks Pictures/The Montecito Picture Company/Cold Spring Pictures/Rickshaw Productions/Right of Way Films, 2009.

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