Music

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Original Citation

Shakespeare, William. Twelfth Night, Or What You Will. 1602, Middle Temple Hall, London, England, UK, act 1, sc. 1.

Current Citation

Shakespeare, William. "Twelfth Night." The Norton Shakespeare, edited by Stephen Greenblatt, et al., 3rd ed., W. W. Norton & Company, 2015, act 1, sc. 1.

If you don't live it, it won't come out of your horn.

Charlie Parker

Hear Me Talkin' to Ya

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Parker, Charlie. Quoted in Hear Me Talkin' to Ya. Written by Nat Shapiro and Nat Hentoff. Rinehart & Company, 1955.

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Coltrane, John. "John Coltrane and Eric Dolphy Answer the Jazz Critics." Interviewed by Don DeMichael. DownBeat, 12 Apr. 1962.

Current Citation

Coltrane, John. Quoted in Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties, written by Scott Saul. Harvard University Press, 2003.

Which is more musical, a truck passing by a factory or a truck passing by a music school?

John Cage

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Cage, John. "Communication." Composition as a Process lecture series. 1958, Darmstadt, Germany.

One good thing about music, when it hits you feel no pain.

Bob Marley

Trenchtown Rock

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Marley, Bob. Trenchtown Rock. Performed by Bob Marley and the Wailers. Tuff Gong, 1971.

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Mozart, Wolfgang Amadeus. Letter to Leopold Mozart. 8 Nov. 1777.

Current Citation

Mozart, Wolfgang Amadeus. The Letters of Mozart and His Family, edited by Emily Anderson. Springer, 2016.

Every tone was a testimony against slavery, and a prayer to God for deliverance from chains.

Frederick Douglass

Narrative of the Life of Frederick Douglass

On slave songs.

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Original Citation

Douglass, Frederick. Narrative of the Life of Frederick Douglass. Boston: Anti-Slavery Office, 1845, ch. 2.

Current Citation

Douglass, Frederick. "Narrative of the Life of Frederick Douglass." Frederick Douglass: Autobiographies, edited by Henry Louis Gates. Library of America, 1994, ch. 2.

Music is my mistress, and she plays second fiddle to no one.

Duke Ellington

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Ellington, Edward Kennedy. Music is My Mistress. Doubleday & Company, 1973.

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Parker, Charlie. Quoted in Hear Me Talkin' to Ya. Written by Nat Shapiro and Nat Hentoff. Rinehart & Company, 1955.

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Pepys, Samuel. Diary entry. 9 Mar. 1666.

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Iyer, Pico. The Art of Stillness: Adventures in Going Nowhere. Simon & Schuster/TED Books, 2014, ch. 5. Originally a TED Talk, 2013.

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Armstrong, Louis. Quoted in "Louis Armstrong, Jazz Trumpeter and Singer, Dies." Written by Alvin Krebs. The New York Times, 7 July 1971.

Why waste money on psychotherapy when you can listen to the B Minor Mass?

Michael Torke

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Torke, Michael. "Sayings of the Week." Observer, 23 Sept. 1990.

Music alone with sudden charms can bind
The wand'ring sense, and calm the troubled mind.

William Congreve

Hymn to Harmony

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Congreve, William. A Hymn to Harmony: Written in Honour of St. Cecilia's day, M DCC I. London: Jacob Tonson, 1703.

Writing about music is like dancing about architecture.

Martin Mulll

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Mull, Martin. Quoted in Detroit Free Press. 18 Feb. 1979.

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Adorno, Theodor. "Über den Fetischcharakter in der Musik und die Regression des Hörens [On the Fetish Character in Music and the Regression of Listening]." Zeitschrift für Sozialforschung [Journal of Social Research], 1938.

Current Citation

Adorno, Theodor. "On the Fetish Character in Music and the Regression of Listening." Modernism: An Anthology of Documents, edited by Vassiliki Kolocotroni, Jane Goldman and Olga Taxidou. University of Chicago Press, 1998.

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Addison, Joseph. "A Song for St. Cecilia's Day, at Oxford." 1694.

It is only that which cannot be expressed otherwise that is worth expressing in music.

Frederick Delius

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Delius. "At the Cross-Roads." The Sackbut, Sept. 1920.

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Copland, Aaron. What to Listen for in Music. McGraw-Hill, 1939, ch. 2.

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Shakespeare, William. The Merchant of Venice. c. 1598, The Theatre, London, England, UK, act 5, sc. 1.

Current Citation

Shakespeare, William. "The Merchant of Venice." The Norton Shakespeare, edited by Stephen Greenblatt, et al., 3rd ed., W. W. Norton & Company, 2015, act 5, sc. 1.