Film

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Do not be fooled by its commonplace appearance. Like so many things, it is not what is outside, but what is inside that counts. This is no ordinary lamp! It once changed the course of a young man's life; a young man who, like this lamp, was more than what he seemed: a diamond in the rough.

Aladdin

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Aladdin. Directed by Ron Clements and John Musker, Walt Disney Pictures/Walt Disney Feature Animation, 1992.

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Life, uh, finds a way.

Jurassic Park

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Jurassic Park. Directed by Steven Spielberg, Universal Pictures/Amblin Entertainment, 1993.

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Do you want to take a leap of faith or become an old man filled with regret waiting to die alone?

Inception

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Inception. Directed by Christopher Nolan, Warner Bros. Pictures/Legendary Pictures/Syncopy, 2010.

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The most valuable commodity I know of is information.

Gordon Gekko

Wall Street

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Wall Street. Directed by Oliver Stone, American Entertainment Partners/American Films, 1987.

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We fear change.

Garth Algar

Wayne's World

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Wayne's World. Directed by Penelope Spheeris, Paramount Pictures, 1992.

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You know how they say we only use 10 percent of our brains? I think we only use 10 percent of our hearts.

Wedding Crashers

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Wedding Crashers. Directed by David Dobkin. New Line Cinema/Tapestry Films, 2005.

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People call these things imperfections, but they're not. That's the good stuff and then we get to choose who we let into our weird little worlds.

Good Will Hunting

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Good Will Hunting. Directed by Gus Van Sant, Be Gentlemen, 1997.

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Looks like I picked the wrong week to quit smoking.

Airplane!

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Airplane! Directed by Jim Abrahams, David Zucker, and Jerry Zucker. Paramount Pictures/Howard W. Koch Productions, 1980.

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Whatever your pleasure, I can facilitate. You need weed, you need meth—hey, you need Prozac, I'm your man. I know how you white boys always deal with that depression. I mean me personally, I don't understand what you white boys are all depressed about. Hey, you're white! Smile!

The Longest Yard

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The Longest Yard. Directed by Peter Segal, Paramount Pictures/Columbia Pictures/MTV Films/Happy Madison Productions/Callahan Filmworks, 2005.

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No, we will not die like dogs, we will fight like lions because we are the three amigos!

Three Amigos!

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Three Amigos. Directed by John Landis, Orion Pictures, 1986.

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Every man's ready for marriage when the right girl comes along.

Rear Window

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Rear Window. Directed by Alfred Hitchcock, Patron Inc., 1954.

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Whoo-hoo-hoo, look who knows so much. It just so happens that your friend here is only mostly dead. There's a big difference between mostly dead and all dead. Please open his mouth. Now, mostly dead is slightly alive.

The Princess Bride

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The Princess Bride. Directed by Rob Reiner, Act III Communications/Buttercup Films/The Princess Bride Ltd., 1987.

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When I buy a new book, I read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side.

When Harry Met Sally…

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When Harry Met Sally... Directed by Rob Reiner, Nelson Entertainment/Castle Rock Entertainment, 1989.

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It don't take much strength to pull a trigger, but try getting up every morning day after day and work for a living, let's see him try that, then we'll see who's the real tough guy, the working man is the tough guy.

A Bronx Tale

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A Bronx Tale. Directed by Robert De Niro, Price Entertainment/TriBeCa Productions, 1993.

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Funny how gentle people get with you once you're dead.

Sunset Boulevard

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Sunset Boulevard. Directed by Billy Wilder, Paramount Pictures, 1950.

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You're a goddamn quarterback! You know what that means? It's the top spot, kid. It's the guy who takes the fall. It's the guy everybody's looking at first—the leader of a team—who will support you when they understand you. Who will break their ribs and their noses and their necks for you, because they believe. 'Cause you make them believe. That's a quarterback.

Any Given Sunday

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Any Given Sunday. Directed by Oliver Stone, The Donners' Company/Ixtlan Productions, 1999.

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Ah, youth is wasted on the wrong people.

It's a Wonderful Life

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It's a Wonderful Life. Directed by Frank Capra, Liberty Films, 1946.

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They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these...these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.

The Joker

The Dark Knight

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The Dark Knight. Directed by Christopher Nolan, Warner Bros. Pictures/Legendary Pictures/Syncopy, 2008.

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This isn't life! This is just stuff! And it's become more important to you than living! Well, honey, that's just nuts.

American Beauty

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American Beauty. Directed by Sam Mendes, Jinks/Cohen Company, 1999.

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Happiness only real when shared.

Chris McCandless

Into the Wild

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Into the Wild. Directed by Sean Penn, Paramount Vantage/River Road Entertainment/Square One C.I.H./Linson Film, 2007.

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